-vii-
A primrose sun collapsing in vast splinters onto silvered turquoise. The cry of vendors on the quay competing with the gulls. The intense whiteness of walls broken by drifting oval shadows, as parasols block off the blaze of light. These islands are their own magical worlds, wonderful to visit – but you wouldn’t want to live there.
They sail for Halifax at dawn, but through seas which grow ever rougher as the little packet heads north into the unquiet grey Atlantic. To calm her, he reads to Julie from Mr. Daniel Defoe’s Essay on Projects, another of the books he’d purchased at Boston. He had read this author’s Robinson Crusoe as a child, and greatly enjoyed it; yet never before has he encountered Mr. Defoe’s innovative ideas regarding the education of women and the poor, as well as his thoughts on a more equitable restructuring of society. ‘It strikes me,’ he says, ‘that any man capable of thought arrives at similar conclusions.’ He’s surprised to find himself inadvertently included in this category; the arrogance makes him blush, since he can’t see a way to correct it.
Julie too finds the ideas exciting, and they are discussed engagingly for hours. They have never done this before. He had assumed she took no interest in such matters. Women never seem to. He mentions this.
‘It’s my upbringing,’ she says shyly. ‘I was taught never to interfere in the business of men. Charles-Louis forbade me to do it with him. He kept his world far from mine.’
“Indeed, he did. But not your real husband,” he assures her. ‘My sisters are the same, though. I took it for granted that women were this way. But why? Women live in the world, just like men. Why should they not discuss its exigencies and perplexities?’
‘You tell me,’ she says. ‘It’s men that forbid it. Why?’
‘Everything comes down to education in the end, doesn’t it?’ he says, the thought sometimes overwhelming in its constant presence, its importuning and nagging to be heard, to have something done about it.
The ship is being tossed around like a tennis ball now; and the winds have become so strong that Captain George has ordered all of his sail drawn up. Dinner cannot be served under such conditions, so they eat bread and ham in their cabin. Sleep is similarly impossible. Fearing Julie might be tossed from her bunk, he lies next to her on the outside edge as a bulwark. He often sees himself as a bulwark, a sturdy one too.
It is around three in the morning that she suddenly sits up, clutching her belly. “Oh!” is all she says, clambering to her feet, and grabbing at the timbers for support. A small puddle has formed on the boards beneath her feet. “The baby,” she tells him quietly, almost nonchalantly. “The baby is coming. It’s coming now…”
He makes her sit, rushing out to wake Potts, thrown from side to side in the narrow passage as he goes. The surgeon is still wide awake, and, on hearing the news, is suddenly all business, all efficiency. He demands hot water and clean sheets, saying Julie will have to be tied onto the dining cabin’s table.“I need to work at waist height,” he explains. “Bunks are either too low or too high.”
Awoken by the hubbub, Weatherall joins them, helping the prince assist Julie into the adjacent dining cabin.
“This is not going to be easy,” Lieutenant-Doctor Potts states calmly. “One of you will have to hold me fast as I work.”
Weatherall volunteers, now uncharacteristically obedient to the surgeon’s every command.
“I’ll need sawdust on the floor,” says Potts, “and a keg of rum.”
“Rum!” Edward is horrified.
“To clean my instruments and hands, not to drink,” explains the doctor, exasperated now by any questions.
Julie is tied by cords around her chest and told to grip the sides of the dining table, which is securely fixed to the floor and now covered with a pile of fresh sheets. She winces and groans with spasms of pain, as the ocean beneath them rolls and heaves violently in unhelpful empathy. Hot water is brought in a large metal jug, its steaming contents spilling with every lurch of the vessel. All around them the wind whines and screams like a choir of Furies. Weatherall lashes himself to two struts on opposite walls, the better to steady Potts, whose waist he grips tightly with powerful hands. Sawdust now covers the floor, and Potts places his instruments, unrolled from a canvas case, into a slopping basin filled with dark rum. Having washed his hands, he now rubs the liquor up his bare arms. Everyone is trying to stay balanced by shifting weight from leg to leg, but the storm-battered waves are too unpredictable for this to be of much use. People slip and grip every few seconds. The packet pitches to starboard, then sometimes further to starboard, leaving them momentarily horizontal, before slamming back to the port side with a shrill exclamation of squealing wood. Occasionally, waves so prodigiously vast smash into one side or the other with such force that the jolting shocks send anything not secured clattering down all around them. The doctor’s instruments are scattered in this way, and he’s forced to clean them all again with rum. Julie’s screams become more frequent, blending into the wind’s malign howling, and the incessant groans and squeaks of timbers shifting in their joints and commissures with the relentless pitching. There are loud cracks and crashes sounding from near and far, as items break loose from hooks or shelves. Lashed to the table, her face become one huge maw, bawling, bellowing, spewing spittle, Julie is stretched upon the rack, put to the question. The scene is infernal, pandemonium; and he dearly wishes he could leave the surgeon to his task; but his assistance as an anchor and a voice of reassurance is indispensable, no matter how unanchored and unreassured he feels himself.
Weatherall discreetly looks away as Potts gently hauls up Julie’s nightgown, palpating her swollen abdomen as it is heaved from side to side like a storm-tossed buoy. When the Roebuck hurtles down into a gulley between two mountainous waves, cracking onto water hard as iron, she wails out in an animal pain, a primal kind of terror nothing can assuage. She’s a lost soul in the Valley of the Shadow, he thinks, growing increasingly worried now.
“I shall have to turn the baby’s head into her birth channel,” Potts informs everyone, taking out an instrument resembling coal tongs with a concave spatula on the end of both arms.
“What?” asks the prince, filled with dread by the surgeon’s alien words.
Potts ignores him, wiping rum from this alarming utensil with a steaming cloth. Then, steadied by Weatherall’s strong arms, he inserts it into Julie with gentle, meticulous care. She rolls to and fro beneath his levering arms, which now must roll with her. ‘Hold fast,’ he tells Weatherall, who tries to anticipate the next pitch before it comes.
She gasps ceaselessly, and cries out in torment, as Potts maneuvers his instrument laboriously, taking some twenty minutes before telling everyone that he’s now turning the baby’s head into the correct position. Julie’s face is a glossy pink sheen of strain, pain, perspiration and saliva, her knuckles white, fingernails torn from clutching onto the table. The prince takes one poor clawing hand, which she clamps onto his with a vice-like grip, while pushing with breathless force, squeezing as hard as possible, pushing and, all the while, shrieking in a forlorn voice, a voice he thinks is surely summoning death here, not life. He needs to grasp frantically at roof beams with one hand to steady himself, as the vessel is thrown even more frequently from one colossal wave crest to another, often plunging down vertiginously between them, walls of water streaming up on either side of the aft windows. His fingers are porcupined with splinters, torn and bleeding, the nails, like Julie’s, ripped from their cuticles. Yet the only pain he feels is her pain, the pain in her flushed eyes, as she pushes and clenches and pushes, going purple in the face. He body seems to have become a machine that pushes and squeezes, pushes and screams, until it appears about to burst apart from the effort. The crazily swinging oil lamps; the night and storm beyond their black windows; the clenching and howling, the gasps for air and respite are all there is. It begins to feel eternal, an unending darkness, terror and torture from which there is no escape, no cure, no respite. The passage from womb to tomb is a dark one, a painful one, foreshortened here to a quintessence, distilled almost to nothing at all. We’re born; we die. That’s the whole story. But is it? Unlikely, he thinks, even in this grotto of agony. Hope is always in the box – if you haven’t lost that box.
It is on the cusp of a translucent, milky dawn that Potts finally pulls out a bloody little body from the exhausted Julie, who gives a great resounding sigh of ultimate relief. It does not seem possible, just as he’d thought after Eduard’s birth, that a new life could come into the world by such cruel and hideous means, such an unforgiving torment of body and mind. Ripping out a heart would be easier than it had been maneuvering, coaxing and dragging this moist, bedraggled, scarcely human thing into life. With a sudden effervescent alarm, he realises that the baby is not moving or crying. After all this, is it dead? He’s about to question Potts, when the surgeon holds up this limp, dripping creature by its fat heels, slapping it firmly on the back. Instantly, there comes a tiny, choking splutter, followed by a lusty yell of furious indignation, as the poor raw thing sways in its new and hostile world like beef on a Smithfield porter’s hook.
“Congratulations, Highness,” says Potts, as diffidently as if the prince had just won a game of whist, “you have a fine, healthy baby boy.” He cuts the long, worm-like cord, the lifeline, placing it, along with a fat, oozing bloody clod, into a bucket on the stained sawdust floor. Then, with great delicacy, using one hand, he recovers Julie’s legs with her gore-stained gown. She smiles uncontrollably, reaching out for the tiny life Potts still cradles in one arm. Yet she’s unable to sit up on account of the ropes around her chest. The tempest has begun to abate out on a ghastly steel ocean, as if subdued by this miracle of life.
They untie Julie, helping her back to the bunk in her own cabin, where she can finally hold her baby, who has by now been cleaned and swaddled by Potts, using a torn sheet for this purpose. Prince Edward thanks him and Weatherall from the bottom of his heart, before he’s left alone with his wife and son. My wife and my son: how strange and yet how familiar the words seem. Well, he thinks, they are familiar, aren’t they? He realises how infrequently his thoughts turn to little Eduard. Such thoughts are yet another thing he can’t afford.
Everyone is drained, exhausted, yet happy. They’re like survivors fetched up from a shipwreck and now safe ashore, wrapped in blankets, drinking hot cocoa.
“That was one inordinately heroic effort, sir,” he can hear Weatherall telling the surgeon, as they walk off. “I salute you for it and apologize for our previous differences.”
“Vive la difference!” This must be the surgeon’s only phrase of French – not that he understands its actual meaning.
Weatherall rarely has trouble admitting he’s wrong. At least, he doesn’t when he’s convinced he actually is wrong.
Without any objections from the prince, Julie decides the baby boy will be named ‘Jean de Mestre’, this being one of her numerous ancestral titles. “Jean” was her late father’s name. Edward looks into the startled inquisitive eyes of Jean de Mestre; but the more he looks, the more the baby’s huge head seems to be misshapen. This deformity corrects itself over the following weeks and is, according to Dr. Potts, fairly normal in births where ‘forceps’ have had to be deployed.
“Four sets of what?” the prince asks in his ignorance.
“Forceps,” corrects Potts. “From the same root as ‘forced’, I imagine. Even if an initial deformity is a fairly common consequence, I think it is still preferable to the death of a mother or child… or both — wouldn’t you agree, sire?”
“Ah. Yes. Of course, I would.”
It’s inappropriate, he feels, to bring up the subject of who they should entrust with the baby for adoption; yet it is, surprisingly enough, Julie herself who raises the issue.
“Should we turn back and give him to my mother? She’d take great care of him; and a child would restore to her life some real meaning and purpose…”
“I can scarcely believe my ears,’ he says, looking at her with his mouth hanging open. “I should sooner throw him overboard. You cannot be serious! That spiteful old hag! Never, never, never! He’d be better off dead or sold into slavery.”
This long-suppressed outburst receives, curiously, no reaction. He is at least expecting to be told his own parents are no better – which is true. But, no. Nothing. Except: “Then can we keep him? We are married, after all…”
‘Not in England we’re not.’
“So poor Jean is just your bastard after all?” she says, looking away sadly and reproachfully.
“Don’t call him that,” he says tenderly, stroking the baby’s soft, yet still distorted head. “To me he is my son. He will be well looked after, I promise you.”
“By who?” she demands, drawing the baby away from him, away from the monster. “We can’t ask the Salaberrys again. That’s too great an imposition.”
“No,” he says, “not Louis. I have someone else in mind. But in the meantime, we shall keep him ourselves. Perhaps for as long as we are at Halifax.”
She brightens, smiling and saying, “Really? I can really keep my baby this time?”
The monster has been tamed. “As long as we are discreet about it,” he tells her, “I don’t see why not. Yes, why not?”
-viii-
Night. The endless black ocean that can terrify our dreams or be their source, he thinks, gazing into its swelling immensity. ‘Captain George told me some interesting Halifacts,’ says Weatherall, as they lean over the quarterdeck rail framed by a star-strewn horizon.
‘Yes?’ he says. ‘The climate never improves?’
‘Worse. First there was gossip about the Wentworths. She apparently sees numerous other men; he doesn’t mind. But this is because he does the same thing himself – with other women of course. More interesting, though,’ Weatherall goes on, turning to look at him, at the prince, ‘is a story about the Maroons…’
‘The what?’
‘They’re freed slaves from Jamaica. Oddly enough, they helped us put down a slave rebellion on the island. Evidently, there was talk of founding a negro empire in the Caribbean… or rather the slaves were talking about it. So, we awarded some of these Maroons semi-autonomous regions of their own and, to protect the rest from retribution, we sent them to Halifax… with a sizeable sum of money to settle them properly. Well,’ he hisses and sighs, ‘the rumour is that Wentworth kept this money for himself, and the poor devils are now in a terrible state there…’
The prince interrupts: ‘Aren’t a lot of slaves coming up from America too? I’ve heard this…’
‘Yes,’ says Weatherall, ‘our attitude is that anyone who reaches Canada is a free man. Slavery’s day will soon be over – or so many in London are saying. But we can’t have them mistreated when they reach us, can we? The Maroons were allies, after all…’
‘No,’ he says, buttoning his tunic against a stiff northerly wind. ‘We certainly can’t. I disapprove of the slaves some of our people keep too. It’s a midden, Halifax, isn’t it?’
‘It just needs leadership, I’d say…’
‘And leadership it shall get,’ says the prince resolutely.
Neither of them is aware of just how many slaves are still being kept by Canadians. Francois Baby, who Edward met at Quebec, for example, has dozens of them in his various homes, and will continue to do so, despite Lord Simcoe’s ban. Like other bans, this only affects the slave trade, not slavery per se. Those who own slaves do not need to purchase more anyway – they breed them.
Upon landing at Halifax by night, the timing deliberate, he sends Julie and her baby by closed carriage up to the house, accompanied by Dr. Potts. Then Weatherall and he travel towards the same destination, squeezing into an open caliche, but taking a more circuitous route. Their carriage soon encounters the large quantity of roots and boulders littering city roads. These hazards have made the most popular forms of local transport either horseback or foot, this latter form known as ‘Shank’s Pony’. They haven’t seen this wretched part of town before. Now the prince wants to take a closer look at it and its denizens, which is the reason for their irregular route.
Although they already know the quayside is a warren of taverns and brothels, Barrack Street proves to be far worse. Beggars, pimps, cutpurses and peddlers of cheap trash are everywhere; yet they’re vastly outnumbered by drunken soldiery staggering about, begrimed, their uniforms in shocking disarray. These men are engaged in brawls, dicing, or in lewd behaviour with the half-dressed harlots, who lean in doorways or alleys on every side. There are muscular negroes everywhere too. These are the Maroons, and they behave with far more self-respect than the soldiery, even though they too promote or facilitate all manner of illicit activities.
“My God!” mutters Weatherall, gazing agog at these passing scenes. ‘This makes Gibraltar look like the Ursuline Convent…”
The task ahead of him appears, yet again, daunting indeed. It makes war seem a doddle. “Yes. Dreadful!’ he says. ‘There are going to be some very big changes here. Some very, very big changes indeed…”
The place is a pit of depravity, almost mythical in its sheer profusion of vice. One glimpse is enough.
As soon as they arrive at the house on Citadel Hill, he instructs Weatherall to arrange a meeting with the city’s senior military officers for noon the following day. He then writes to Robert Wood at Quebec, telling him his services are indispensable after all, and he should hasten to Halifax with all speed, bringing Chloe, his wife, with him. The prince offers Wood triple his usual stipend and current doorkeeper’s wages, adding that he’ll also purchase for the Woods a house of their own. The letter is sent by an army courier reputed to be capable of reaching Quebec, weather permitting, within a week. He gives this man ten guineas for Wood, to cover costs and inconveniences, promising the courier a guinea for himself if Wood arrives in Halifax before the end of August.
Overhearing this exchange, Julie cautions him to be less lavish in his spending. “With Louis de Salaberry’s assistance,” she tells him somewhat sharply, “and the sale of our possessions at Montmorency, along with those in the St. Louis Street house, I have managed to settle nearly all your debts there.”
“I see. Well, I shall be incurring many more here,” he says, annoyed that she would thus interfere in his affairs – much as he appreciates it. He recalls their conversation about Defoe’s book, regretting his own ingrained views about a woman’s role. He tries to backtrack his reaction, but she is already sweeping from the room, head held high. An upbringing is hard to shake off.
The following morning, he receives another invitation to dinner with the Wentworths. This time he declines, citing army business. But he’s soon to learn that ‘army business’ is music to the governor’s ears. An increase in military activity means an increase in funds from London, a golden tide running first through Wentworth’s own hands, where much of it tends to stick.
-ix-
Founded in 1749, Halifax enjoyed a period of prosperity during the French presence on Cape Breton Island, in Quebec and elsewhere. Its superb harbour was essential for the movement of troops and materiel. After the Battle of the Plains, a decade later, the city had entered a precipitous decline, which was only halted by the American war, when its utility to the military once again became vital, and English money once more poured in. Since the alleged peace, ten years earlier, another rapid decline had set in, aggravated, as we have observed, by the loss of much, if not most trade to newly-independent Boston. There is now such a shortage of cash that Nova Scotia has begun to print its own scrip, worth only seventy percent of face value when it first reached the banks. War has thus come to be regarded as a barometer of Haligonian economic weather; and the prince’s sudden presence as Commander-in-Chief is widely viewed by locals as presaging both a new war, and its concomitant influx of gold. Yet everyone has ceased to notice the spectacularly vile state into which the past lean decade has thrown their community. They’re similarly oblivious to the steep costs which will be entailed in repairing this damage, extending, as it does, across the entire social panoply, from healing moral turpitude to resurrecting buildings, forts, institutions, bridges and roads. The place badly needs a shock of awakening to its own squalid reality – and such a shock is on its way. Ah, yes.
The meeting with seven senior military officers at their headquarters does not go well. To open it, Weatherall and Prince Edward recount their experiences on Barrack Street and elsewhere.
‘How,’ he asks, ‘has discipline deteriorated to such a despicable level?’
It is the old problem. “The men are idle, Your Highness,” explains an untidy major named Godfrey. “They have nothing to occupy their time, and no prospect of any action. So, they drink, gamble, course hares, breed fighting cocks, and the like…” It’s all too, too familiar.
“Have you not heard of a war with France, Major?” he inquires in a flinty tone. “Are you under the impression that your crumbling fortifications will prove adequate to repel a French attack?”
Major Godfrey shifts uncomfortably in his seat, shrugging before replying, “We’re told the war will be over soon, sire, and that any attack is unlikely.”
What do you do with such men? “And who told you this?” he asks.
“It’s just the general opinion.”
“And do your six fellow officers share this ‘general’ opinion?” he says, looking at the other faces. To a man, they refuse to meet his gaze, offering neither confirmation or denial. “Yes. I see,” he continues. “Is anyone here aware that Halifax is the most important, safest and, indeed, now the sole British seaport in North America?” Everyone nods, murmuring their assent. He smashes his fist down on the table, making the officers jump, as he shouts, “Then there is no excuse for your dereliction of duty! I ought to strip you all of your ranks and order courts-martial!” He berates them further, complaining about their own sloppiness of dress and ill-kempt appearance. He makes it painfully clear that this new broom intends to sweep their Augean stables spotlessly clean, from boots to barracks. Then and there, he orders a daily drill and inspection at five in the morning, without fail, fair or foul. Any man not reporting, or not meeting the standards of appearance required, will be subject to the maximum punishment as defined by the army code. Short of death, no excuse will acceptable for any lapse. “Drill and inspection will be under the charge of Captain Weatherall here,” he tells them, “until he deems the men ready for, and worthy of my own review. His standards, I might add, are apt to be still more exacting than my own. As it is, gentlemen, you disgust me! I hope I have made myself clear? Now get to work! Dismissed!” He fancies his glare resembles that of General Grey. It doesn’t have the same effect with blue eyes, though.
The officers stand, saluting in a desultory fashion, before backing untidily from the room with a range of expressions on their flushed and foolish faces from fear to confusion.
“I think they got that message,” says Weatherall, pulling on his white gloves.
“Would you like a promotion?” Edward asks his captain. “Any rank you like, Fred…”
“I’m happy as I am,” Weatherall replies, simply and humbly. “It’s authority that commands, not rank. My authority was conveyed to those wretches beyond any doubt. And I shall enjoy using it. By God, I shall!”
He tells Weatherall that he wants to concentrate on rebuilding the port’s fortifications, and thus will rely upon him to turn a rabble of drunken slobs and sloppy idlers back into the army they’re supposed to be.
“As always,” Weatherall says, “the honour is all mine… and the opportunity golden indeed.”
“Good stuff, Fred. Because rebuilding those ruins is going to be a major enterprise, requiring all the time I can spare.” But he’s glad to have something other than drills and inspections to occupy his time here.
Robert Wood arrives on September 5th, with his French wife, Chloe. The prince has purchased a fine little house for them, and they’re delighted with everything about the place, from the well-tended garden and sea views, to the cozy rooms, with their furnishings selected by Julie. He’s overjoyed to be reunited with Wood, who’s happy with the new arrangement too, as keen, diligent and cheerful as ever.
Informing him of the current work-load, and the deplorable condition of this city, he tells Wood that his first mission is to discover as much as he’s able regarding recent events here, particularly gossip of any kind concerning the Wentworths. He knows he can rely upon Wood’s uncanny ability to chivvy out memories, anecdotes and trumours from the most diverse elements in any society.
Within a few days, Wood seeks him out while he’s alone surveying the remnants of a cliff top redoubt. Wood has quite a tale to tell, one he’s also not a little embarrassed about telling.
“It concerns your brother, Prince William, sire, the Duke of Clarence,” Wood says hesitantly, red-cheeked and panting, “and I be not certain you will wish to hear it…”
‘Nothing about Clarence can shock me, Robert,’ he says, although he’s wrong about this. ‘Don’t varnish the truth in any degree…’
He now learns that, from 1787 to 1791, his brother Bill had been a frequent visitor to Halifax in one or other of his ships, gaining a solid reputation for stupendously debauched and drunken behaviour. On one such visit, a fourteen-year-old midshipman had sailed the ship into port, because Bill and his senior officers were too drunk to walk the quarterdeck. This was during Governor Parr’s time. An eye-witness to one of Bill’s revels had told Wood that he’d seen the prince drink 28 bumpers of champagne and claret in toasts, following this with 14 bottles of Bourbon ale. At another party, 63 bottles of wine were consumed by Bill and a handful of officers. During that evening too, Bill had thrown his wig away, sung bawdy songs and hooted with mad laughter. Then he’d demanded a tour of the port’s finest brothels, in which he delighted in watching Sapphic displays performed by the girls – often several at a time. He threw money around as if it were rubbish. During one of these visits, Bill encountered Frances Wentworth, whose husband, then still minus his baronetcy, had been appointed ‘Keeper of the King’s Woods’ — a transparent sinecure. John Wentworth had been a New Hampshire Loyalist, evidently descended from one of the Pilgrim Fathers; he was considered to be a cunning civil servant, consumed by ambition. Clarence and Frances had a widely-known and torrid love affair, which ended when he sailed away. But Frances Wentworth was not so easily shrugged off. In 1791, Wood had been told, she visited England, where she sought out Bill who, although living with Mrs. Jordan by then, happily resumed his former passion as well. This was done so openly that the details were street gossip all over town. The couple had, on the Queen’s birthday of all days, ‘tried the length’ of a sofa the duke had purchased for Frances. By the time she returned to Halifax, and doubtless through Bill’s agency, her husband had become Sir John, Baronet, and was also appointed Lieutenant-Governor of the province, since Parr had died. She was, of course, now Lady Frances. Christ, thinks Edward, is this why I’ve been sent here, to drown in the family shame?
There are two schools of thought regarding the subject of Wentworth’s toleration of his wife’s dalliances, Wood next explains. One says it’s because, with them, she’s able to assist greatly in his promotions; the other believes her adultery gives him licence to pursue his own infidelities. It is, however, the general opinion that, as we’ve heard previously, brother Bill’s conduct had set the tone for behaviour among the city’s upper classes. Many of these people have no experience beyond the isolated province, so they genuinely believe this kind of behaviour is proper for all high society — although it’s still nonetheless considered reprehensible if practised by the poorer classes. A division had also grown up between the old land-owning British and Scotch plutocracy and the ambitious arriviste Loyalists, who were represented by the new governor. Many people feel that Wentworth unduly favours Loyalists with high positions, as well as in greasing their business dealings. One such dealing is the excise tax levied on imported rum from the West Indies, a source of revenue which, it’s thought, can only grow exponentially after Prince Edward’s conquest of the French islands. This trade is almost entirely controlled by a few Loyalists, all of them considered to be Wentworth’s creatures, and all suspected of raking in still greater profits by smuggling kegs into New England. Lastly, Wood reports, Wentworth had developed a very bad relationship with the prince’s predecessor, General Ogilvy. This was evidently, the result of a dispute over money from London, or the lack of it, as well as revenues from the excise tax. Each man accused the other of pocketing funds desperately needed by the city and the army. Most citizens believed Ogilvy was in the right and innocent. Few original settlers trusted their new governor, whose lavish mode of living reeks of corruption. Yet he’s also considered shrewd in his political maneuvers, especially the strong alliances forged with powerful and influential men. Such men make sure London hears of his brilliant leadership, and that cheering crowds can always be relied on to attend his public appearances. Almost everyone feels he will turn cartwheels to win the prince’s friendship and will fawn over him at the slightest opportunity. For there is little doubt that Prince Edward is now the real power in both city and province. As usual, they all assume he has the King’s ear, and cracks a commanding whip in Parliament. Edward feels his life is a treadmill, eternally trudging over and over the same ground with no possibility of escape.
“I be sorry to bring you such vexing news,” says Robert Wood, staring down thoughtfully at the faded grass beneath his feet.
“Not at all, my friend,” the prince assures him. “This information will prove invaluable to me. As for Prince William, it’s nothing I haven’t heard before – although the precise quantities of liquor consumed are something of a revelation. Previous accounts have always stated ‘a lot’, but now I know what ‘a lot’ actually means — and it is indeed a lot.” He smiles, patting Wood on the back for a job well done, and then telling him to take a week’s holiday, move in properly and show his wife her new environs. But the crapulous ghost of Bill jeers at Edward from crumbling battlements, shrieking with crazed mirth.
Now, however, he feels ready to accept one of the Wentworths’ unending invitations to dinner; and he spends some considerable time in thinking out an appropriate strategy for terminating their reign of perpetual Saturnalia. Yet it must be done without making himself look like a killjoy in the process.